One offers a graphical representation of the amp and effects chain; another shows the four selectable patches in the current bank; and a third mode takes the form of a giant patch‑number display, which would be useful when on stage. Only standard model packs can be used with a Line 6 device and/or a computer authorized with POD Farm 2.5 or better. A current example is the DT50 guitar amplifier, where changes made on the Pod are reflected in the DT50 amp settings, and vice versa. What is POD HD500 Edit? Fortunately, editing isn't difficult. The Pod HD500 represents the latest evolution of the Pod concept, and can double as a very capable audio interface for recording. Our antivirus scan shows that this Mac download is clean. Creating, tweaking and storing your own patches is straightforward with the Pod Edit software — and it also makes it much easier to view the many effects options available. I like the simplicity of PodFarm, and it's perfectly adequate for most purposes, but the HD500 feels far more responsive, and has a real sense of presence that should please those who play with more dynamic control. The POD HD500 is Line 6’s new favorite toy. The expression pedal can perform different functions, which are indicated by LEDs. There's also a digital input for a Line 6 Variax Guitar, and MIDI connections (In and Out/Thru) on two DIN sockets. Installing POD HD/HD500/HD Pro firmware v2.62 and POD HD/HD500/HD Pro Edit v2.26 prevents invalid data from being introduced into presets. I tested the HD500's audio interface functionality using Apple Logic Pro, in which the Pod showed up as a two‑channel interface. In the Mixer window, you can balance the two patches of a dual processing chain, assign controllers to effect parameters, and allocate up to eight of the footswitches as effect bypass controls. When it comes to the subjective sound of the amp models, description is always difficult, because everyone looks for something different in an amp. There's the usual built‑in tuner, with an auto‑mute mode for silent tuning, and while Pods have always been generous with effects, this series also includes many effects from Line 6's M9 and M13 effects units. POD HD500 is a USB port which enables connection to a computer, both for recording and playback purposes, as well as for managing the Pod by using the Pod HD Edit software, which is downloadable. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. The HD series of Pods comes in three versions, the HD300, HD400 and HD500. Its editing software also makes this easier, since users will be able to see and adjust multiple parameters at the same time. A built‑in expression pedal controls wah, volume or pitch effects, and there's the option to plug in an additional expression pedal if you want more control. It helps Windows select the right program to open the file. External PSU has the usual lightweight domestic connector, which I feel is less than ideal for live use. Accepts guitar, mic or Variax inputs, and can accommodate other instruments, such as keyboards, when necessary. POD HD500 Edit is a simple, but powerful, Preset editor/librarian application. We hand pick programs that we know can open or otherwise handle each specific type of file. It helps to keep this site running. You have the option to chain up to eight effects per patch, with several flexible routing options, though the system lets you know when you've run out of DSP if you max it out before then (some of the reverbs and sophisticated pitch‑shifters hog more than their share of DSP power). POD HD500 Edit is compatible with Mac OS® X 10.5, 10.6 & 10.7, and Windows® XP, Vista & 7 (all 32 bit and 64 bit versions). The HD500's preset sounds range from straightforward classic amps with a dash of reverb to Edge‑style delay extravaganzas and pseudo‑synth washes and basses. In general, the effects are first-class, with only the pitch-shifters sounding a little less than pristine. The main hardware rivals to Line 6's Pod range come from Digitech, Boss, Zoom and Vox. The HD500 offers 12 footswitches, arranged in two rows. Why does Liam Gallagher's vocals sound shit? Page 16: Menu Commands • Open - Allows you to load a saved POD HD500X Edit Preset (.5xe) file from any folder on your computer. The unit also includes a new protocol called 'L6 Link' that allows compatible products to share information. An affiliate link means we may earn a referral fee if you make a purchase through the link, without any extra cost to you. For example, in the file name "winmail.dat", the file extension is "dat". The audio output is fixed at 24‑bit. All rights reserved. Heads up: Some download links are affiliate links. (You can also overwrite or modify any of the factory sounds if you wish.). Creating, tweaking, and storing the user’s own patches is straightforward with the Pod Edit software. Win! Because stomp effects are routinely controlled by foot, the HD‑series Pods all come in a floor‑Pod pedal format, rather than the familiar red kidney shape, and they also include the ability to function as a two‑channel USB recording interface for your computer. To the right of the display is a circular, four‑way cursor pad for navigating the screen, and associated 'enter' and 'move' push‑switches. Does their latest offering keep them at the front of the pack? For recording, the HD500's internal sample rate is fixed at 48kHz, but an on‑board sample‑rate converter means that you can sync it to sample rates from 44.1kHz to 96kHz. Re: Manufacturers offering Educational Discounts, Re: 30-day modular deep dive/writing challenge, Manufacturers offering Educational Discounts, 30-day modular deep dive/writing challenge. Still, it's worth mentioning that, compared with earlier Pods, I felt the HD500 responded more naturally when the guitar volume control was wound down to clean up the sound. One approach that worked well for me was to find a preset close to my needs and change the amp and effect models to suit. In fact, in some cases you can take adjustments even further: the AC30TB model, for example, has three‑band EQ plus presence, compared with the single 'Tone' knob of the original hardware. This free Mac app is a product of line6. The lower‑right switch is used for tap tempo (to control delays or other time‑related effects), and brings up the tuner when pressed and held for a couple of seconds. Web site designed & maintained by PB Associates & SOS. As you'd expect, there's the usual nod towards the likes of Marshall, Vox and Fender, but there are also more boutique brands, such as Bogner and Dr Z. Basic operations are covered here in this user manual, so let’s get started. This is a step by step guide on using the Line 6 License Manager to install Model Packs on the POD HD500X and HD Pro X. The preset sounds on the HD500 aren’t likely to suit your tastes (or at least the majority won’t). The HD500's preset sounds range from straightforward classic amps with a dash of reverb to Edge‑style delay extravaganzas and pseudo‑synth washes and basses. When it comes to connectivity, the HD500 has it all. Welcome To PoD HD500 FronT Panel conTrols ENTER DBL PRESS TO ASSIGN CTL MOVE AMP & FX ON / OFF SAVE HOLD FOR SYSTEM & I/O VIEW P R E ST P R ES The remaining area can be switched to focus on editing Effects, Amps, Mixer or Set Lists, the last of which includes the provision to re‑order patches using a simple drag‑and‑drop procedure. While editing from the front panel is straightforward, the free editing software makes it even easier, as you can see and adjust multiple parameters at the same time. PreSonus StudioLive 32SC Series III Mixing Console, IK Multimedia Z-Tone Buffer Boost & Z-Tone DI. When you first hit Record, the loop starts recording; hit it again, and you'll be overdubbing. DSP chips have evolved considerably since the original Line 6 Pod was launched, and the extra power available for the new Pod HD500 has provided the opportunity for the designers at Line 6 to refresh their range (Line 6 say there's up to 10 times more computing power in the top of the range new‑generation Pod than in the originals). However, most presets are designed to show off the abilities of the device, which, of course, means that most of them are too over‑the‑top for everyday use. Screenshot (attached) shows preset patch 01B loaded. With … Everything is programmable, so that you can emulate the adjustments you might make to the actual hardware. All software that we list on the website is hosted and delivered directly by the manufacturers. One Synth Challenge V - The Filter Strikes Back! Page 15 POD HD500X Edit: Overview Dragging an FX Block, from Post to Path A Dragging an Amp Block, from Path A to Post Any of the 8 FX Blocks can be moved to any position within the Pre, Post, Path A or Path B areas. You may login with either your assigned username or your e-mail address. It holds its own against software emulations, and feels more responsive to me than previous Pods. Mastering Essentials Part 3 - How loud should I master? the free POD HD500 Edit software application from our Downloads page. There are seemingly endless variations on overdrive, delay, wah and modulation, as well as rotary speakers, octave generators, pitch‑shifters, smart harmony generators and emulations of many classic stomp pedals. Line 6 were amongst the first to create realistic‑sounding modelled guitar amps and effects. Editing is not difficult. We do not host the downloads, but point you to the newest, original downloads. The source selection is done on the Pod itself so I set channel one to microphone, bypassed all processing and amp models and checked the recording quality. It allows you to easily It turned out to be very clean, with plenty of mic gain on hand for vocals. Line 6 also say that the extra power allows them to make their amp models behave even more like the real thing, especially when you pull down the guitar volume to clean up the amp sound. Find the POD HD500 Edit download link here. This was fine for dynamic mics, but the lack of phantom power meant that I wasn't able to use the capacitor mics (other than tube mics that have their own power supply) I'd typically use on vocals. There's a quarter‑inch guitar input jack, a quarter‑inch aux input jack, a mini‑jack stereo input for MP3 players and a balanced XLR mic input with gain trim (but, alas, no phantom power). Naturally, users will want to compare the results with those of software amp modellers too, including Line 6's own PodFarm. The application is included in Audio & Video Tools. The unique identifier for this program's bundle is com.line6.podx4edit. Realising that many guitarists just want to plug in and blast away, rather than be overwhelmed by tweakable options, Line 6 have also included a very large preset library. NOTE: HD model packs are not compatible with POD Farm 2.5. The remaining area can also be switched, in order to concentrate on editing effects, amps mixer, or set lists. If you have additional information about which types of files POD HD500 Edit can process, please do get in touch - we would love hearing from you. This is fair enough, but I really wish manufacturers would stop using flimsy cables and domestic connectors for such devices: they really don't fill me with confidence in a live setting, where a heavy‑duty cable and substantial locking connector would serve much better. Creating, tweaking and storing your own patches is straightforward with the Pod Edit software — and it also makes it much easier to view the many effects options available. This is also where you set up the Variax input if you happen to be using a Variax guitar. Copyright © 2010-2020 Bitberry Software Aps - All rights reserved. Using this feature, you can force the Variax to switch guitar models when you change presets or allow it to remain independent. What’s in it for Me? In addition to the more usual studio effects, there are also numerous processors that can be used to make guitars sound more synth‑like. Line 6's own driver software also allows for latency‑free monitoring, by mixing the processed sound from the Pod with the DAW return — a common approach in budget audio interfaces — so that you can hear the guitar sound with effects while recording but without suffering any latency delay other than the minuscule processing time of the Pod itself.


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