But if you’re buying a lens for close-up photography, a macro … Like it's cousin the 50mm lens, a 35mm lens is known for having excellent versatility. At the end of the day, prime lenses in general have an advantage over almost every zoom lens when it comes to minimum focal distance. Una gamma di zoom più elevata significa che la lente è più versatile. We find that the mic is often just in the subject’s upper peripheral vision, so we were able to quickly tell him to keep that in sight, which worked about as well as a gaff tape mark. Un peso inferiore è anche un vantaggio per gli elettrodomestici, in quanto semplifica il trasporto, e per molti altri tipi di prodotti. Simile al numero di lamelle del diaframma, le lamelle arrotondate influenzano il modo in cui la luce passa attraverso il sensore. There are plenty of fresh faced DPs out there who boast a list of vintage Nikon or Rokinon primes on their website. So, why do so many people keep saying get a 50mm lens? Even with a 1.4x extender on the 70-200mm, we have often felt limited in our ability to get in really close to small, detailed shots. Qual è la differenza fra Canon EF 35mm F/1.4L USM e Canon EF 35mm F/2 IS USM? Today it is still a very enjoyable lens but it has become rather expensive. A “legendary” ancestor of the FiRIN is the Tokina 2.5/90 macro. Questo significa che è possibile effettuare regolazioni manuali una volta che l'AF ha finito, senza passare alla modalità manuale. However, as with every documentary shoot, there were all kinds of opportunities to capture lots of action we didn’t anticipate (the subject’s son playing with toys, cooking and eating dinner, etc.). Later on, shooting the actual miniatures mostly on a tripod, we quickly learned a few lessons about using a macro lens for video: More light would make it easier to nail focus. While shooting all kinds of projects, it’s quite common for us to have a camera dedicated to telephoto - which is most often the Canon EF 70-200mm f/4 IS, sometimes with the 1.4x extender. ​If you only take away one thing from this article, it should be that we love our 35mm. Here are two example images. Un supporto in metallo è generalmente superiore a un supporto di plastica; è più durevole. When considering the addition of a lens to the kit, the focal length is an important feature to consider.The focal length determines the angle of view and the angle of view in turn determines the perspective provided for the desired subject framing. The new Hollyland MARS 400S PRO comes with a few standout features including direct video …, The Hollyland Mars 300 Pro comes at a perfect time when COVID-19 has made wireless …, ​By now everybody has a Lume Cube, but should everyone also have a Lume Cube …, The world's largest short film competition is back and this year they're giving away $1 …, Hollyland has announced a new addition to their wireless monitoring lineup - the MARS 300 …. It is still relatively rare to find a prime lens with image stabilization. Ciò consente di raggiungere un migliore e più morbido bokeh nelle tue foto. A macro lens has the ability to focus from infinity to 1:1 magnification, meaning that the size of the image in real life is the same size as it’s reproduced on the sensor. While a wide angle can be forgiving of shakes and jitters, even the wider common prime focal lengths - 24mm or 28mm - end up being a bit more hemmed in with a 1.5x crop. To often it seems when we’re reviewing footage that right at the moment something interesting happens or changes, we fiddle with exposure, zoom, focal length, or something that makes the shot unusable. Ciò significa che l'immagine prodotta è una rappresentazione a grandezza naturale del soggetto da fotografare. For us, that’s a deal breaker. La lente aggiusta il percorso ottico in base a questo, assicurando la correzione di qualsiasi movimento prima che il sensore catturi l'immagine. But, sometimes limitations can be illuminating… so, we decided to do a little experiment with primes and a find a quick passion project. These are the examples causing confusion: example1 and example2 Not having that option, the shoot took a decidedly slower and more intentional path. This sequence was shot handheld, thanks to Image Stabilization, The image stabilization on the Canon EF 100mm f/2.8L Macro IS is, in our opinion, vital for using a macro in video. The EF 100 mm f /2.8 Macro USM lens is a prime lens made by Canon Inc. We think of that as bread and butter shooting - the core coverage we know we’ll need for the edit. Una distanza minima di messa a fuoco molto breve permette di avvicinarsi di piú al soggetto, ed è particolarmente importante quando si fotografa macro. In this head-to-head matchup, 35mm lenses are far more expensive. L'apertura controlla la quantità di luce che arriva fino al sensore della fotocamera. More on that later. On a full frame sensor camera, such as the Canon EOS 5D Mark IV or Sony Alpha a7S II, that nifty 50mm lens is often considered to be roughly equivalent to the range the human eye can see. I don’t know when exactly it was released but certainly before AF was a thing and when most manufacturers didn’t offer a f/2.8 macro. If you could only have one lens at one focal length, chances are you’d go for the “normal” lens. I chose these three focal lengths because most bloggers use either a 35mm lens, a 50mm lens OR a zoom equivalent, like an 18mm-55 zoom, because that’s what came with their camera. Qual è la differenza fra Canon EF 100mm F/2.8L Macro IS USM e Canon EF 35mm F1.4 II USM? Con un diaframma più largo il sensore può catturare più luce contribuendo ad evitare la sfocatura e consentendo anche una maggiore velocità di scatto. With that setup, you can easily pick a 180 degree radius on a subject and immediately start collecting shots for a sequence. We lit this scene with the Aputure Amaran 672W LED light. In fact, that advice is probably responsible for you or someone you know purchasing a “nifty fifty,” such as the ubiquitous Canon EF 50mm f/1.8 or the f/1.4 version. Sigma 24mm f1.4; Canon 35mm f1.4; Canon 50mm f1.2; Canon 85mm f1.2; Canon 135mm f2; Julia first tests the lenses shooting full body photos with her model, Maralyn, from the same standing position to show how much background compression each lens shows, as well as the bokeh.. Then she does shots where her … ... APS-C format lens with 1:1 magnification. It’s one of our overall favorite and most used lenses. Besides hitting the normal focal length sweet spot of roughly 50mm on our 1.5x crop, there are a few factors that go into our selection of a good prime lens for video: image stabilization, minimum focus distance and solid autofocus.​. When there is a client involved, our goal is to make the best work possible for the people who are paying, the people featured in the story, and ourselves. Perhaps the other hurdle is that many Tamron fans may will own the 28-75mm f/2.8, making this lens a little bit redundant if macro isn't your thing. Confronti di obbiettivi per macchine fotografiche Canon. It actually ends up being kind of difficult to read exactly where the focus is when such a small object is filling so much of the frame. It’s easy to either mount the light on a simple light stand with an articulating arm like the Cinevate Universal Accessory Mount, or you could attached it to a rail system on the camera. Light is an important aspect in macro photography to enable you to keep a fast enough shutter speed to capture insects on the move.To give you an idea of the difference in shooting distance between focal lengths, a 100mm macro lens used at approximately 45cm from the subject will have the same magnification as a 50mm lens used at only 23cm from the subject. Zoom lenses, and even some prime lenses with a ‘macro’ badge, give a greater magnification of around 0.5x. Inoltre fornisce anche una profondità di campo, che consente di sfocare lo sfondo per focalizzare l'attenzione sul soggetto. While the best Nikon macro lens is the 105mm f/2.8G ED-IF AF-S VR Micro-Nikkor Lens. Overall, the 100mm Macro performed excellently, and was as sharp as our standard 70-200mm f/4 interview lens. But, what’s all the hype really about? While it may be tempting to save a few hundred dollars on an equally well reviewed lens like the non-IS Canon EF 100mm f/2.8L Macro USM, our tests found it to be basically unusable for our type of work.​. Just shoot manual focus. The image stabilization on the Canon EF 35mm f/2 IS is excellent, allowing us to seamlessly move between handheld and all of our camera support systems. It’s just faster and more accurate than even a skilled operator can often be. If you’re on a limited budget, you can certainly make due with a lens like the 24-105mm f/4 and a camera with good low light capabilities. 2. For example, where a Nikon 50mm f/1.4 lens can be found for around $450 brand new, a Nikon 35mm f/1.4 lens will run you about $1,700. 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